My earliest writing was all about creating things that I could sing and record just by myself. As my songwriting matured, I developed a very personal and emotional style in both music and lyrics.
Come Away With Me 
Bird
Imaginary Man
My years working in theater have given me many opportunities to write incidental music, feature songs, and even entire musicals.
My years serving Lutheran congregations in musical leadership have provided many opportunities to set, adapt and arrange sacred texts and tunes, both within and beyond the Lutheran tradition.
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Remake from 2000.
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Temple Baptist Church Choir
Christine Hazel, Conducting
Hila Dipman, Accompanist
Recorded at Temple Baptist Church, Minneapolis, Minnesota
June 4, 1995
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Temple Baptist Church Choir
Christine Hazel, Conducting
Hila Dipman, Accompanist
Recorded at Temple Baptist Church, Minneapolis, Minnesota
December 17, 1995
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Choir version (3:09) Temple Baptist Church Choir
Christine Hazel, Conducting
Hila Dipman, Accompanist
Recorded at Temple Baptist Church, Minneapolis, Minnesota
December 24, 1995
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Demo/solo version (2:46) Studio demo
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The Temple Baptist Church Choir
Christine Hazel, Conducting
Hila Dipman, Piano
Anne Marie Mast, Flute
Recorded at Temple Baptist Church, Minneapolis, Minnesota
March 1996
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Temple Baptist Church Choir
Christine Hazel, Conducting and Soloist
Martha Mockus, Accompanist
Recorded at Temple Baptist Church, Minneapolis, Minnesota
March 31, 1996
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Christine Hazel, Soprano
Lowell Prescott, Tenor
Anne Marie Mast, Flute
Recorded at Temple Baptist Church, Minneapolis, Minnesota
March 1996
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The Temple Baptist Church Choir and Congregation
Christine Hazel, Conducting
Hila Dipman, Piano
Anne Marie Mast, Flute
Recorded at Temple Baptist Church, Minneapolis, Minnesota
May 1996
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Temple Baptist Church Choir
Christine Hazel, Conducting
Hila Dipman, Accompanist
Recorded at Temple Baptist Church, Minneapolis, Minnesota
October 13, 1996
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Christine Hazel, Soprano
Cheryl Winch, Alto
Lowell Prescott, Tenor
Jim Slater, Bass
Anne Marie Mast, Flute
Recorded at Temple Baptist Church, Minneapolis, Minnesota
December 1996
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Easter Vigil Choir
Lowell Prescott, Conducting
Recorded at Central Lutheran Church, Minneapolis, Minnesota
March 23, 1997
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Easter Vigil 1997 (Central Lutheran Church) (2:10) Jennifer F. Krentz, Soloist
Lowell Prescott, Piano
Introduction from the story of Noah as told by Solveig Beckmen
Recorded at Central Lutheran Church, Minneapolis, Minnesota
March 23, 1997
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Demo version (1:34) Studio demo
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The Compline Choir of Central Lutheran Church
Charles Parsons, Organist and Conductor
Recorded at Central Lutheran Church, Minneapolis, Minnesota
September 1997
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Lowell Prescott, Tenor
Marilyn Wahlstrom, Piano
Recorded at Central Lutheran Church, Minneapolis, Minnesota
May 1998
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Lowell Prescott, Cantor
Marilyn Wahlstrom, Organ
Recorded at Central Lutheran Church, Minneapolis, Minnesota
May 31, 1998
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This piece has not yet been performed.
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Central Lutheran Church Senior Choir and Congregation
Charles Parsons, Conducting
Doug Muller, Baritone
Recorded at Central Lutheran Church, Minneapolis, Minnesota
December 20, 1998
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The National Lutheran Choir
Kenneth Hodgson, conducting
Recorded at the Basilica of Saint Mary, Minneapolis, Minnesota
December 2000
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First Lutheran Church Choirs
Jane Christianson, Conducting
Diane Wright, Piano
Carolyn Kapoun, Soprano
Pastor Daniel Belgum-Blad, Baritone
Brian Jones, Trumpet
Billy Kremer, Trumpet
Wayne Ivers, Trombone
Megan Ivers, Trombone
Recorded at First Lutheran Church, Marshall, Minnesota
June 25, 2000
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Harp/Cello (Holy Trinity Lutheran Church) (4:17) Holy Trinity Adult Choir
Lowell Prescott, Conducting
Andrea Stern, Harp
Laura Sewell, Cello
Recorded at Holy Trinity Lutheran Church, Minneapolis
December 18, 2011
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Piano/Viola (Unitarian Universalist Mtka) (4:27) UUCM Choir
Robert Reed, Conducting
Leslie Mallery, Piano
Juliana Day, Viola
Recorded at Unitarian Universalist Church of Minnetonka
Minnetonka, Minnesota
November 12, 2000
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The National Lutheran Choir
Kenneth Hodgson, Conducting
Recorded at the Basilica of Saint Mary, Minneapolis, Minnesota
December 2000
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TTBB (Compline Choir) (3:20) Performed by the Minnesota Compline Choir
Guest Conductor: Lowell Prescott
Recorded by David Molvick for 89.3 WCAL
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SSAA (Lyndale Women's Choir) (2:44) Performed by the Lyndale United Church of Christ Women
Conducted by Victoria Wilgocki
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Monica Stratton, Soprano
Daryl Carlson, Cello
Kathryn Christie, Violin
Victoria Wilgocki, Flute
Recorded at Mount Olive Lutheran Church
Minneapolis, Minnesota
May 2002
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Monica Stratton, Soprano
Darryl Carlson, Cello
Kathryn Christie, Violin
Members of the National Lutheran Choir
David Cherwien, Conducting
Recorded at Mount Olive Lutheran Church, Minneapolis, Minnesota
June 2002
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Holy Trinity Adult Choir
Lowell Prescott, Conducting
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Diamond Lake Lutheran Church Adult Choir
Lowell Prescott, Conducting
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Performed by the Trinity Singers
Holy Trinity Lutheran Church
Minneapolis, Minnesota
Lowell Prescott, conducting
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Compline Choir of Minnesota
Charles Parsons, Conducting
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Palm Sunday (4:12) Solo: Stephanie Sulzbach
Piano: Julie Lindorff
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Piano: Dan Fenn
Soloist: Anne Schrooten
Recorded at St. Anthony Park United Church of Christ, St. Paul
May 18, 2008
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Holy Trinity Lutheran Adult Choir
Lowell Prescott, Conducting
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Flute Version (Holy Trinity Lutheran Church) (2:43) Buy this recording (MP3) $0.99
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Original cast recording (3:05) From the original cast recording.
Santa: Mike Mann
Jingle: Phil Skretvedt
Smasher: Paul Thorson
Piano: Rick Prescott
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Demo version (3:07) Studio demo
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Original cast recording (2:32) Jingle: Phil Skretvedt
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Demo version (2:46) Studio demo
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Original Cast Recording (2:42) Buy this recording (MP3) $0.99
From the original cast recording.
Santa: Mike Mann
Belle: Renae Lewis
Jingle: Phil Skretvedt
Piano: Rick Prescott
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Holy Trinity Adult Choir
Minneapolis, Minnesota
Lowell Prescott, conducting
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Good Friday 2016
St. Anthony Park United Church of Christ
St. Paul, MN
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Lowell Prescott, tenor
John Rodland Carson, piano
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Performed by the Bloomington Chorale
Lowell Prescott, conducting
Chantalle Falconer, violin
Carl Osterhouse, bass
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Lisa Gulbranson, Soprano
Lowell Prescott, Tenor
Victoria Wilgocki, Piano
Recorded at Lutheran Church of the Good Shepherd
Minneapolis, Minnesota
June 1999
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Members of the National Lutheran Choir
David Cherwien, Conducting
Recorded at Mount Olive Lutheran Church, Minneapolis, Minnesota
June 2002
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Premiere Performance (1:55) Performed by Con Spirito and Con Brio Choirs of Angelica Cantanti
Michelle Gehrz, Conducting
Jeffrey Patrey, Accompanist
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Performed by Woven Voices
Lowell Prescott, Conducting
Recorded November 7, 2021
St. Anthony Park United Church of Christ, St. Paul, MN
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It is a great joy to find new ways to sing old melodies, and new ways to hear familiar, or even not-so-familiar, poetry.
Sometimes a composer knows exactly what instruments and voices should go with a particular piece. More often, a composer is given the list of musicians first, and must make the right music it work with the available forces. This means every opportunity is a unique challenge, and no combination is too strange.
Walk in Peace
Sunny Summer Green
The
There is nothing quite like the sound of many voices joining together in song.
Writing choral music involves a very specific skill set that I has master over the course of 30 years writing for groups of all sizes and configurations.
Steal Away
i thank You God for most this amazing
O Jerusalem
Supporting the congregational song has long been a primary focus of mine. This has taken the form of hymns, short verses, responses, and other types of songs for the Assembly.
Hearing God's Voice
As We Leave This Friendly Place
Silenced
Though I have long focused on the human voice, it has been my great pleasure to also write for instruments, both solos and ensembles. This has given me a string understanding or orchestration and the needs of players across a wide range of skill sets.
Reach
Bruce on Bass
Mendota
Worship services require many different types of music. From chant to interludes to introits, benedictions, and many more. Each situation is different, though my goal is always to create music which can meet a variety of situations.
Exsultet
Christmas Proclamation
The Prayer
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There was a time that it felt like I needed to post my music to all of the streaming platforms in order to have any chance of becoming visible. But it turned out that the firehose of music, together with the lack of good discovery mechanisms, meant there was effectively no way to harness modern streaming platforms for an artist like me. Meanwhile, these services were all making money from my music (by selling advertising) without compensating me even so much as a single penny.
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